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The Photographer's Eye: Composition and Design for Better Digital Photographs, by Michael Freeman
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Design is the single most important factor in creating a successful photograph. The ability to see the potential for a strong picture and then organize the graphic elements into an effective, compelling composition has always been one of the key skills in making photographs.
Digital photography has brought a new, exciting aspect to design - first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second because image-editing tools make it possible to alter and enhance the design after the shutter has been pressed. This has had a profound effect on the way digital photographers take pictures.
Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder.
- Sales Rank: #2857103 in Books
- Published on: 2007
- Format: International Edition
- Original language: English
- Number of items: 1
- Dimensions: 10.20" h x .55" w x 9.33" l, 1.81 pounds
- Binding: Paperback
- 192 pages
Review
"Beautifully presented with generous and helpful color illustrations, this book is a very affordable addition to the library of the serious photographer."--Canadian Camera (Feb. 08)
About the Author
Michael Freeman is a renowned international photographer and writer who specializes in travel, architecture, and Asian art. He is particularly well known for his expertise in special effects. He has been a leading photographer for the Smithsonian magazine for many years, and has worked for Time-Life Books and Reader's Digest. Michael is the author of more than 40 photographic books, including the hugely successful Complete Guide to Digital Photography and The Photographer's Eye. For his photographic educational work he was awarded the Prix Louis Philippe Clerc by the French Ministry of Culture. He is also responsible for the distance-learning courses on photography at the UK's Open College of the Arts.
Most helpful customer reviews
25 of 25 people found the following review helpful.
Very good book for photography.
By Vasya
This book is better, IMHO than venerable creation of the same author called "Photographer's Eye. And you know why. Because in a former book author writes beautiful essay in order to explain composition. Here, on the other hand, he shows you how to do it using graphs, point of view of camera, angles of sun, shades and so on. This book is graphic and it is better than Photographers Eye. Do you want to hear eloquent prose as to how make your picture astonishing? Buy, former book. Do you want to see, really see, how it is done? Buy this one.
13 of 13 people found the following review helpful.
A composition encyclopedia
By Mark Schupack
This is a catalog of compositional ideas for organizing the visual elements of a photograph. The catalog is organize into 10 major areas of interest, then further divided into 80 subgroups. For each subgroup, the concept being discussed is illustrated by a full page photograph followed by a second page (or more) of discussion using mostly graphical diagrams illustrating the organizing principles involved. These pages give a thorough and enlightening education in designing and constructing photographs. Note that the list is NOT organized by the subject of the photograph (nature, cityscape, people. macro, etc.) Rather it contains the design elements that determine how ALL pictures look (framing, placing, dividing, viewpoint, color, etc.). In this sense the catalog is applicable to all photos regardless of the subject matter.
The methodology used to discuss each of the subgroups is unusual. Verbal description are kept to minimum while the main points are illustrated with graphical explanations. The reasoning is that the discussion of graphical images might best be conducted using graphics. It works well once you get into the spirit of the venture.
The question remains of what to do with this valuable information and analysis. It is not likely that many photographers will memorize the essence of 80 compositional subgroups. Most will probably start with their present range of photo subjects and relate these photos to the analyses shown in the book. Comparing what they do to compose their pictures with the analyses shown by Freeman can help clarify their photographic thinking. Further, investigation of related subgroups can broaden their photographic thinking. They can experiment with new compositional variations and expand their photographic horizons.
Freeman's great contribution is in providing a comprehensive framework that photogrphers can use in many ways to help expand their visual perception.
15 of 15 people found the following review helpful.
Not bad on its own, but not after The Photographer's Eye of the same author
By Hovhannes
As much as I respect Mr. Freeman, this book should not have been published (and sold) separately from The Photographer's Eye. The PE is a brilliant book, one that makes you start thinking and actually seeing while taking photos. This book could be a great appendix to The PE. Buy and read The PE and safely skip this one.
Amazon, the kindle price is too high.
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