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The Vanishing Act of Esme Lennox, by Maggie O'Farrell
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Iris Lockhart is busy tending to the everyday business of her vintage clothing shop and her complicated love affairs when she receives a stunning phone call. Her great-aunt Esme, whom she never even knew existed, is being released from a psychiatric hospital where she has been locked away for over sixty years.
Esme has been labeled harmless, sane enough to coexist with the rest of the world. But why has her family never mentioned her, and what is the secret or her virtually wiped-out past? If Iris takes her in, what dangerous truths might she inherit?
Weaving Esme's tragic story together with Iris's modern dilemmas, O'Farrell's intricate cross-generational tale of family secrets, lost lives, and the complex longings of women will haunt readers long past its final page.
- Sales Rank: #14778869 in Books
- Published on: 2007-10-24
- Original language: English
- Number of items: 5
- Dimensions: 2.75" h x 5.20" w x 6.33" l, .50 pounds
- Binding: Audio Cassette
From Publishers Weekly
Starred Review. O'Farrell (After You'd Gone) delivers an intricate, eloquent novel of family malice, longings and betrayal. Slim, stylish Iris Lockhart runs a dress shop in contemporary Edinburgh when she's not flirting with her stepbrother Alex or rendezvousing with her married attorney lover, Luke. Esme Lennox, meanwhile, is ready to be discharged from the soon-to-be-closed psychiatric hospital where she's been a patient (read: virtual prisoner) for 61 years. Iris becomes aware of Esme's existence when she's informed, to her disbelief, that she has been granted power of attorney over Esme by Kitty Lockhart, Iris's Alzheimer's-afflicted grandmother. It turns out Kitty and Esme are sisters, but Kitty kept quiet about Esme after she was hospitalized at age 16. Layer upon layer of Lockhart family secrets are laid bare—the truth behind Esme's institutionalization, why her existence was kept a secret, and a twist involving Iris's parents—as Iris mulls over what to do with her new charge, and Esme and Kitty reconnect. O'Farrell maintains a high level of tension throughout, and the conclusion is devastating. (Oct.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
O'Farrell's fourth novel brilliantly illustrates her talent for gradually revealing her characters' inner lives by jumping back and forth in time and juxtaposing different narrative points of view. Iris Lockhart, a young Scottish woman, is suddenly informed that she has the power of attorney for her great aunt, Esme Lennox—who Iris never knew existed. Esme has been locked away in a mental institution for over 60 years—a fact never mentioned by her sister Kitty, Iris' grandmother, who now has Alzheimer's. In compelling prose, O'Farrell gradually pieces together the puzzle of Esme's life up to the age of 16, when her cold and repressive parents sent her away to the hospital that is now closing down. Esme had a bold and independent spirit, unseemly for a girl at that time. That as well as a younger brother who died in her arms and a never-mentioned rape contributed to her lost life—a life "half strangled by what-ifs." A gripping read with superbly crafted scenes that will blaze in the reader's memory long after the novel is returned to the shelf. Donovan, Deborah
Review
An intricate, eloquent novel of family malice, longings, and betrayal.... --Publishers Weekly (starred review)
Most helpful customer reviews
2 of 2 people found the following review helpful.
A Touching Story ...(with a few twists)
By maureen melle
I liked this book, which concerns itself with mental illness, family relations, self image, independence, and bullying at school. It is the story of two sisters and of of a young woman who suddenly finds she has a great aunt who she has never heard of, a "brother" who is not a blood relation, and a lying lover. In this story beware, no one is who they appear to be. I liked it. I liked the way different character's thoughts and stories intermingled. It is a good read for any student of human nature.
1 of 1 people found the following review helpful.
It's not a great literary masterpiece but it's a good story
By Billard
I'd probably give this book three and a half stars. It's not a great literary masterpiece but it's a good story. I don't normally like stories that jump back and forth in time but it worked for me here. If I'm going to be critical I would say it was strange that someone who 'needed' to be in an institution for the best part of 60 years could be let out into the community just because it was closing down. Equally Esme appeared to have no anxieties or be phased by the modern world once she stepped out of the door. The story is tragic and real. I think many women ended up in mental institutions for various reasons: because they had a baby out of wedlock, had post natal depression, were outspoken or 'difficult to manage' by their husbands. Once inside on medication they had very little chance of ever being normal again. Esme was outspoken and unusual for her time and part of me wished she had conformed a little for her own sake. That aside I think she did have mild issues that would have required some mental support had she been born in modern times.I was surprised at the ending, I didn't see that coming. I thought Esme would have been grateful for the actions of her sister (it seemed a far kinder option to the alternative given the circumstances). The concurrent theme of Iris and the relationship with her step-brother was unnecessary and did nothing for this story.
1 of 1 people found the following review helpful.
Writing to Be Remembered; Difficult to Read
By Vicky Kae
O'Farrell tells a story reflecting oft-ignored history of women's roles in the 20th century, with characters spanning family and time from the 1930s through more contemporary eras. Readers will be challenged with composition as characters and events are introduced out of chronological order and perhaps in what appears to be a haphazard nod to the reality of mental instability. A free spirit wanting to pursue education and wear adult, feminine dresses, Esme Lennox disappeared over sixty years earlier when her family and doctor committed her to a mental asylum, where she has been called only by her legal name that sounds nothing like Esme. Her sister, Kitty, marries and, in agreement with their parents, never mention Esme again, not even to Iris, her granddaughter. Iris is contacted as Esme's next-of-kin when the asylum must close its doors and Esme must be relocated, and Iris must decide what to do with a great aunt she's never met even as her married boyfriend threatens to leave his wife for her, which Iris does not want, and to convince her stepbrother--who is closer than a stepbrother--that perhaps Esme should not be in an asylum at all.
The book is not easy to read as there is no consecutive thought in either time, emotion or memories. Many of the sentences and paragraphs jump from one character's point of view to another's. The book is not written in the USA, and American readers will find some of the phrasing to be rather formal-sounding. The conservative morality in some of the passages will offend some, and the liberal morality in others with offend the more conservative readers. The twists, the reaction to some of the events, the humor and even the tribulations will occur in no predictable pattern, and readers will need to be determined in order to read through to the conclusion, which will shock many readers while causing the same reader to nod and think, "Of course! I'd probably do the same thing."
This book is recommended for mature audiences who have the ability to understand adult topics involving infidelity, incest, mental illness and familial betrayal.
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